{"id":5805,"date":"2021-06-25T08:31:20","date_gmt":"2021-06-25T06:31:20","guid":{"rendered":"https:\/\/stage.oktober.de\/urbanana\/2021\/06\/25\/anti-visionen-in-beton\/"},"modified":"2022-10-06T13:07:16","modified_gmt":"2022-10-06T11:07:16","slug":"anti-visionen-in-beton","status":"publish","type":"post","link":"https:\/\/urbanana.de\/de\/anti-visionen-in-beton\/","title":{"rendered":"Anti-Visionen in Beton"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ bottom_margin=“120″ bottom_margin_tablet=“60″ bottom_margin_phone=“30″ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“ gradient_type=“default“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\u201eWir haben eine Anti-Vision, eine Anti-Realit\u00e4t geschaffen.\u201c Auf einem Erdh\u00fcgel am Ufer der Alten Emscher im Duisburger Norden hat der K\u00fcnstler Julius von Bismarck gemeinsam mit der Architektin Marta Dyachenko das Modell einer Stadt errichtet \u2013 aus Geb\u00e4uden, die es nicht gibt. Nicht mehr jedenfalls. An zwei Miniaturstra\u00dfenz\u00fcgen ziehen sie sich den erdigen H\u00fcgel hinauf: der Wohnturm aus Bergkamen, der Schulkomplex aus Essen, das Hallenbad aus Marl, die Kirche aus Duisburg, das Kraftwerk aus Dortmund, der Bunker aus Oberhausen \u2013 allesamt in ihrem jeweiligen Kiez schon Geschichte.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“1875″ image_size=“full“ animation_type=“entrance“ animation=“Fade In“ animation_easing=“default“ animation_movement_type=“transform_y“ hover_animation=“none“ alignment=““ border_radius=“none“ box_shadow=“none“ image_loading=“default“ max_width=“100%“ max_width_mobile=“default“][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Insgesamt 23 Geb\u00e4ude haben von Bismarck und Dyachenko im Ma\u00dfstab 1:25 nachgebaut. Dazwischen flanieren Neugierige und Kunstkenner, umrunden die Modelle, bef\u00fchlen die Waschbetonreliefs und versuchen da und dort, durch die winzigen Plexiglasscheiben einen Blick ins Innere zu werfen, als hofften sie dort auf eine Weiterf\u00fchrung der Szenerie. Wenige Schritte vom Kunstort entfernt donnert der Verkehr \u00fcber die Br\u00fccke der A42 und liefert den urbanen Soundtrack zum Werk, das Teil des Emscherkunstwegs ist, einer Route durch das n\u00f6rdliche Ruhrgebiet mit nun insgesamt 19 \u00f6ffentlich zug\u00e4nglichen Positionen.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_gallery type=“flickity_static_height_style“ images=“1859,1856,1862,1866″ flickity_spacing=“default“ flickity_controls=“next_prev_arrows_overlaid“ flickity_overflow=“visible“ flickity_wrap_around=“no-wrap“ flickity_image_scale_on_drag=“true“ flickity_free_scroll=“true“ flickity_box_shadow=“none“ image_loading=“default“ onclick=“link_image“ flickity_img_height=“800″ flickity_img_small_desktop_height=“600″ flickity_img_tablet_height=“400″ flickity_img_mobile_height=“300″][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Fast alle der Geb\u00e4ude, die sich in der \u201aNeustadt\u2018 des K\u00fcnstler-Duos en miniature wiederfinden, stammen als Originalbauwerke aus der zweiten H\u00e4lfte des 20.<\/sup> Jahrhunderts, die meisten aus den 1960ern und 1970ern, einer Zeit, in der grenzenloses Wachstum m\u00f6glich schien und die Architektur Ausdrucksformen f\u00fcr eine sich wandelnde Gesellschaft suchte. Die Fantasien ihrer urspr\u00fcnglichen Sch\u00f6pfer spiegeln sich in ihren ausladenden Ausma\u00dfen, in geometrischer Struktur, in k\u00fchner Formensprache. Dennoch haben sich von Bismarck und Dyachenko bei der Auswahl nicht von \u00e4sthetischen Kriterien leiten lassen. \u201eWir wollten einen repr\u00e4sentativen Querschnitt des lokalen St\u00e4dtebaus abbilden. In der Vorbereitung haben wir untersucht, welche Art von Geb\u00e4uden in den letzten Jahren dem Abriss zum Opfer gefallen sind, und mit Blick auf die Typologie repr\u00e4sentative Vertreter ausgew\u00e4hlt, Bildungsst\u00e4tten beispielsweise, Bunker oder B\u00e4der\u201c, erl\u00e4utert Dyachenko. \u201eZwar suggeriert die Modellhaftigkeit der H\u00e4user ein Planungsstadium, in Wirklichkeit jedoch geh\u00f6ren die Geb\u00e4ude bereits der Vergangenheit an.\u201c[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][image_with_animation image_url=“1878″ image_size=“full“ animation_type=“entrance“ animation=“Fade In“ animation_easing=“default“ animation_movement_type=“transform_y“ hover_animation=“none“ alignment=““ border_radius=“none“ box_shadow=“none“ image_loading=“default“ max_width=“100%“ max_width_mobile=“default“][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\u201eEs geht nicht um eine retrospektive Verkl\u00e4rung eines bestimmten architektonischen Stils.\u201c, erg\u00e4nzt Julius von Bismarck. Sozialgeschichtliche Parallelen und Unterschiede zwischen der Ruhrregion und seiner Heimatstadt Berlin regten den 38-J\u00e4hrigen zu einer Auseinandersetzung mit der Ruhrgebietsarchitektur an. \u201eBeide Regionen sind deutlich vom Wandel gepr\u00e4gt. In Berlin wird viel gebaut und manches abgerissen. Im Ruhrgebiet wird manches gebaut und vieles abgerissen.\u201c In Summe, so von Bismarck, f\u00fchrt beides zu starken Ver\u00e4nderungen. \u201eDer \u00f6kologische Fu\u00dfabdruck der Bauindustrie ist zu gro\u00df. Wir sollten dar\u00fcber nachdenken, was wir bauen \u2013 und was wir abrei\u00dfen. Was wir unter Denkmalschutz stellen \u2013 und was wir umnutzen k\u00f6nnen.\u201c[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_gallery type=“flickity_static_height_style“ images=“1858,1861″ flickity_spacing=“default“ flickity_controls=“next_prev_arrows_overlaid“ flickity_overflow=“visible“ flickity_wrap_around=“no-wrap“ flickity_image_scale_on_drag=“true“ flickity_free_scroll=“true“ flickity_box_shadow=“none“ image_loading=“default“ onclick=“link_image“ flickity_img_height=“800″ flickity_img_small_desktop_height=“600″ flickity_img_tablet_height=“400″ flickity_img_mobile_height=“300″][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Dennoch ist die Neustadt nicht nur Mahnmal der schwindenden Ressourcen, sondern auch Zeugnis eines euphorischen Wachstumsglaubens. Der Beton der Boomjahre, er schien durchaus f\u00fcr die Ewigkeit bestimmt. Als wolle man dem Reichtum ein unverw\u00fcstliches Zuhause schaffen. Das dann mancherorten zum Mausoleum wurde. <\/p>\n

Drei Jahre haben die Architektin und der K\u00fcnstler mit der Recherche und dem Bau der Modelle verbracht, zum Teil war ein 14-k\u00f6pfiges Team in von Bismarcks Berliner Studio am Werk. Die Frage, wie die Geb\u00e4ude an ihren Bestimmungsort, den Landschaftspark Duisburg-Nord gelangen sollten, stand lange Zeit im Raum. Bis man schlie\u00dflich auf die rettende Idee kam: Die Stadt sollte schwimmend die Republik durchqueren! Eine Woche dauerte die Fahrt mit dem Lastkahn. Mit zehn Kilometern pro Stunde wurde die Stadt von der Spree in den Duisburger Hafen transportiert. So wurde der logistische zu einem performativen Akt, mit \u201eentschleunigender Wirkung\u201c, so die Urheber. Ein Filmteam war mit von der Partie fing die poetische Reise der Geb\u00e4ude mit der Kamera ein. Der Film soll im Herbst dieses Jahres fertig sein. \u201eDann kann die Idee auf Reisen gehen\u201c, sagt von Bismarck.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_gallery type=“flickity_static_height_style“ images=“1857,1882″ flickity_spacing=“default“ flickity_controls=“next_prev_arrows_overlaid“ flickity_overflow=“visible“ flickity_wrap_around=“no-wrap“ flickity_image_scale_on_drag=“true“ flickity_free_scroll=“true“ flickity_box_shadow=“none“ image_loading=“default“ onclick=“link_image“ flickity_img_height=“800″ flickity_img_small_desktop_height=“600″ flickity_img_tablet_height=“400″ flickity_img_mobile_height=“300″][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ text_align=“left“ row_position=“default“ row_position_tablet=“inherit“ row_position_phone=“inherit“ overflow=“visible“ pointer_events=“all“][vc_column_inner column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ overflow=“visible“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Und die Neustadt? Sie wird unterdessen im Gr\u00fcn versinken. Die Natur darf und soll sich ihren Platz zwischen den Geb\u00e4uden zur\u00fcckerobern. Julius von Bismarck, dessen Arbeiten stets um die Beziehung von Mensch und Natur kreisen, baut auf die Wechselwirkung der Skulpturen mit den wachsenden Wildpflanzen und die sich damit ver\u00e4ndernden Gr\u00f6\u00dfenverh\u00e4ltnisse. Daraus k\u00f6nnte ein symboltr\u00e4chtiges Bild entstehen. W\u00e4chst da in Duisburg vielleicht doch eine Vision? Eine Blaupause f\u00fcr die umgenutzte, gr\u00fcne Stadt von morgen?[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ column_margin=“default“ column_direction=“default“ column_direction_tablet=“default“ column_direction_phone=“default“ scene_position=“center“ text_color=“dark“ text_align=“left“ row_border_radius=“none“ row_border_radius_applies=“bg“ overflow=“visible“ overlay_strength=“0.3″ gradient_direction=“left_to_right“ shape_divider_position=“bottom“ bg_image_animation=“none“][vc_column column_padding=“no-extra-padding“ column_padding_tablet=“inherit“ column_padding_phone=“inherit“ column_padding_position=“all“ column_element_direction_desktop=“default“ column_element_spacing=“default“ desktop_text_alignment=“default“ tablet_text_alignment=“default“ phone_text_alignment=“default“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_backdrop_filter=“none“ column_shadow=“none“ column_border_radius=“none“ column_link_target=“_self“ column_position=“default“ gradient_direction=“left_to_right“ overlay_strength=“0.3″ width=“1\/1″ tablet_width_inherit=“default“ animation_type=“default“ bg_image_animation=“none“ border_type=“simple“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Fotos & Text: Ilona Marx
\nFotos: Emscherkunstweg\/Holtgreve[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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